Tartan Rage
Amy Wright
There has been much
made in recent years about the near sanctified importance of Culture.
Far from being arbitrary signifiers made up on the fly and
legitimized and entrenched over time, despite what those pesky
“Anthropologists” might “prove,” Culture is the most
important aspect of any human being. As such, it behooves all of us
to be as protective as possible of our own Cultures and be as insular
as possible, like the United States managed to be though most of the
Second World War, only caving in at the 11th
hour after being directly attacked. Rightly so too. Sod “the
greater good” countries must look out for themselves. This is what
Germany did in the 1930s and just look how well that turned out.
There are, of course,
brainwashed negative nellies who will say that this out look is
cynical or even “prejudiced” but this is only because they have
been foolish enough to fall for the obvious lie that so-called
“Cultural Exchange” makes life “richer.” A notion with
absolutely no evidence behind it except the fact that “trade” has
gone on as long as people have had the means to go to other countries
and the majority of modern Cultures are at least influenced if not
outright hybrids of older ones. But what was that prove?
As such, I would like
to join the choir of the outraged belting out screeds against
everything from saris outside the Indian community community to
dreadlocks on anyone not black (despite the fact it only applies to
Jamaican culture and not “black” culture in general) and stand up
for my own Scottish culture, which as been exploited, abused and
mocked for far too long. Not only did the Americans bastardize the
proud Scottish spirit of whisky, first distilled in Scotland in 1494
before the first North American colonies were even dreamed of, they
cannot even spell it correctly. “Whiskey” my royal Scottish
bottom! In a perfect world, in which the principles of “cultural
appropriation” are applied properly and equally, no one who is not
Scottish or at least of proven Scottish ancestry, would be allowed to
destill, bottle, sell, buy or consume this staple of Catalonian
brilliance.
Even more egregious is
the crass and callous use of plaid, particularly by the younger
generation and those, ironically enough, most concerned about
Cultural appropriation and critical of those who engage in it. As
long as they are sufficiently melanin deprived. Plaid is not simply
a pattern, like polka dots or paisleys (also Scottish). It is the way
that clans used to identify and define themselves in all aspects of
society. A role similar to that of familial sigils and coats of arms.
Like these alternative forms, a clan's tartan is representative of a
elaborate and important history and a source of deep personal pride.
To see them now worn “ironically” in the form of an overpriced
shirt by every second millennial and hipster, the poorly secured
patterned ties only adding insult to injury, is a grave affront to my
people, ourselves no strangers to oppression particularity, by the
English.
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